— eszteranddavid —

Happened to have 2 of these land on the doorstep last week. New drop of At-Edge Macroview 17 and launch issue of Found Volume One. Excited to see both spreads.

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I guess to me the best assignments are the one s that find us not only back home in Australia, but better still see me on assignment in my home town of Melbourne, Australia. Such was the case on my December jaunt, and assignment for the QT Hotel chain, one of my favorite clients of all time! There simply is no better client to work for than the Managing Director of Event Hospitality & Entertainment Limited, the enigmatic Mr David Seargeant, an industry legend and all around great guy. Very seldom are you given the brief of, “just do what you do – I know ‘ll love what I get”. Seems simple enough but the psychology that runs far deeper, Mr Seargeant  always throws out the gauntlet to make each new shoot even better than the last, and therefore we always dig a little deeper. In this case it meant running a few 16 – 20 hours shifts to achieve what we were chasing. On assignment at a fully operational hotel running at 100% is always a mighty challenge but one that we revel in. Here’s just a glimpse of what we were able to achieve.

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Thanks for the faith yet again David Seargeant and to all on premise at QT Melbourne for go the extra few yards with us. Look forward to continuing the fertile relationship.

 

 

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The State Fair of Texas, headquartered in Dallas is a fascinating place to visit if you’ve never been there before. Even more interesting if you are lucky enough to meet Don and Sharon Endsley and spend several days making portraits of the characters who perform in their roving Great AmericaWild West Show. Don and Sharon have spent their life together performing and being involved in the Western lifestyle Before creating the Great American Wild West Show Don spent almost 30 years as one of the top Professional rodeo announcers in the Country. He was the “voice” of the last NFR held in Oklahoma City in 1984. In 2011 Don was inducted into the texts Rodeo Cowboy Hall of Fame in Ft Worth, where they lived for 25 years.

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The spectacular arena shows are the trademark but the Great American Wild West Show has been featured in many versions for venues like the legendary Stardust Hotel in Las Vegas. Producing the Great American Wild West Show is a family operation with Don and Sharon writing the scripts, producing the music, designing lighting and special effects, booking show dates and always looking for new ways to make it more thrilling and exciting. It was an hilarious couple of days getting down and dirty at the Texas State Fair.

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We had the opportunity to get behind the scenes and create a series of narrative portraits documenting many of the characters that make up the entourage. By far the standout for our crew was the amazingly talented Kyzer Stoddard, horseman extraordinaire – what a gift he has with animals and the camera just loves him. Thanks to these generous hosts and our amazing local crew. See you all again soon.

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Thanks to these generous hosts and our amazing local crew. See you all again soon.

 

 

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We recently spent 2 days working with Casey Morton, professional female boxer recently at the headquarters of Victor Conte’s SNAC Company outside San Francisco. Victor has created a state of the art facility and training regimes for a select group of elite american athletes, that range from pro football players, olympic track and field athletes and professional boxers.  Casey Morton utilizes the SNAC facility, its trainers and its products for the strength and conditioning aspects of her training regime.  #caseymorton

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You can spend lengthy amounts of time and funds conceiving new personal projects to keep your creative energy going and to produce new work to show clients. Last week was a different story for us! Working away in the studio, we heard the approaching sound of sirens, closer, closer still, then atop us. At that point Eszter opens the front doors and enthusiastically says you’d better get out here – pronto!

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The commercial/residential space across from us was well ablaze and there had been a 2 alarm alert sent out, and trucks were arriving from everywhere. As any good assistant would do – Brian De Simone instantly replaced the iPhone in my hand with a more professional approach and told me to get to work.

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Being right in the middle of the action before the first responders arrived saw me with unfettered access as the SFFD men and women got to work tackling this huge fire. Police lines were getting drawn all around me but somehow they couldn’t work out who I was or where I came from, opting to leave me on the playing field as it were. Within minutes there were 12 fire engines plus emergency vehicles surrounding me. Here’s some of the collection of images I made of the SFFD heroes getting the job done.

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Thank you to all who gave their service that day. You bravely saved the property from total ruin and protected nearby residents from a catastrophe. Hats off to you.

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The FALL 2016 issue of Workbook has landed on the desks of creatives across the country. Very happy with our current spread. We cant speak highly enough of how effective this marketing partnership has been for our business and look forward to the results that again may lie ahead. A big thank you to Heidi Goverman for the way she treats us and the professionalism of her whole team. The next round of Face Time meetings in LA are coming up and we are excited to see the team from Workbook again.

Thanks guys.

Check out our work on the Workbook site.

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Feels like we’ve been living out of state for most of the last few months. Having multiple trips back and forwards between San Francisco, Los Angeles and Las Vegas has seen us continually chasing the sunshine and warm weather of late summer. No complaints from us!

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We recently had the opportunity to collaborate with San Francisco agency Nice&Company, spending several days creating a library of assets at various outdoor locations in Los Angeles. This would have seemed like a fairly simple proposition, accept for the fact that there is a severe drought in California and an ideal lush green grassed outdoor space is becoming increasingly hard to find. I flew down from SF a week before the shoot, spending a full day of pre production visiting somewhere near 20 city parks and reserves as well as a host of large scale private properties with most parched to a very un-photogenic shade of tan. We lucked in at the final location on scout day, Whittier Narrows Recreation Area  in South El Monte, an area of LA I had never visited. Discovering this venue saved our backsides as we are literally out of options with the clock running down, and ambassadorial talent flying in from all over the country. Our second location was made a little easier as we found  an exclusive private property in the hills of Thousand Oaks that had no water restrictions at all due to its private well offerings, it felt like we had been transported to the English countryside.

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It was great to work alongside Doug Finelli, Sunni York and Val Beckwith from Nice&Company – thank you for having faith in us. Our ace producer Michael Mattes rocked out in all aspects of the shoot, most notably assembling a great crew of around 20 folks who delivered more than they were asked for.  A big thank you must goes out to all of them- too many to name. It was a long and arduous shoot incorporating sunrises and sunsets each day and little sleep in between.

But then again isn’t it always this way!!!

See you soon LA.

 

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A recent collaboration with the wonderful team at the MPP agency
in San Francisco gave us the opportunity to embed on the campus of Santa Clara University for 4 days and interpret day to day life for its student body and faculty.  The project started with a unique location scout – a request for us to observe and interpret as we saw fit and come back with our commentary. It is such a gratifying feeling when you have the opportunity to truly collaborate with an agency, taking their original ideas and being given latitude to take the concept and add to it. A big thank you to Robert Maidens, Keith Pacoma and the MPP gang for their vision and their trust in our creativity. Here’s a small sample of the finished product.

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It’s great time to be in Northern California, the home of the Napa Valley. Right now it’s the beginning of the harvest season. Seems every year around this time, a shoot or two arises that will invariably involve some aspect of documenting the harvest. This week we are awaiting the decision of Trinchero Napa Valley’s winemaker Mario Monticelli to make his call on when he feels is the perfect time to pick the fruit that will best articulate a vineyards terroir. We have been involved with several shoots this past year with this marquis Napa Valley vineyard and eagerly await the chance to rise at 4.00am over multiple days in a row!!

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This exact time last year its was Peter Heitz from Turnbull Winery to make the call. It’s a solid 90 minute drive to get there from my home in SF, so a double espresso became my best friend when heading out the door at 4.30am each morning – but it was well worth the effort. Here’s a small selection from our early mornings.

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I thoroughly enjoyed hanging with the boys as they went about there business. Damn they work hard and fast. Hats off to all the pickers in the Napa Valley. If you are up that way check out my two favorite wineries Turnbull and Trinchero.

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I was recently asked by a potential hotel client if I could explain how “eszter and david” work together on shoot days, and how are our images produced. My response was to pull up a few examples of our work and take them back to their essence – before and after scenarios.

As a duo we collaborate intensively on shoots for start to finish. My general roll is that of photographer and all that that entails, with Eszter’s role a little broader, encompassing pre production, overseeing digital technicians, on set producer and ultimately retouching all our imagery. Hotel work is fast and furious, generally with lots of hurdles along the way, in most cases we are working with a partially built and sparingly furnished construction site. In order for our clients to have a marketing campaign and print ads out as a lead up to hotel opening dates we usually shoot during final stages of construction and have to be fast, nimble and accommodating to construction workers, designers, staff training, management and a host of hourly visitors all with their own agendas and looming deadlines. We will always start with a pre production walk through on arrival and begin to scope and build a library of potential shoot angles with a hand held camera trying to create a cohesive narrative that best showcases the property. This then gets edited and built into a document we present to our client to showcase our vision. From there we begin creating a shoot schedule based around accessibility, talent, weather and host of other variables.

Following I have collated a selection of initial scouting snaps, followed by the final images. What a difference a little production, lighting, talent and retouching/ post production can do.

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