— eszteranddavid —

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Tag "hotel photography"

I feel really privileged that we have been commissioned to photograph 3 x QT Hotel properties within the last 12 months. That good fortune continued recently when we ventured back to Queensland, Australia and the famed Surfers Paradise strip. The QT Gold Coast was our latest project we’ve collaborated on. “Nostalgic surfer chic meets Miami  catwalk cool” reads  the banner line introducing the hotel website. With that as a temptation, I was sure a good shoot would materialize. Here’s just a small sample of imagery we produced. View our website for more from the shoot. Check out their Instagram #qt_hotels #qtgoldcoast #qtlife

Again I had the opportunity to travel with great mate and creative collaborator Tom Hood, who just makes life and shooting so much easier, I am forever grateful to have him on board for these crazy hospitality shoots that run to no convention timing schedule. Thanks for your flexibility mate. BTS below.

Point break waves on approach to Surfers Paradise…..

Sand and surf for miles.

Essential production vehicle.

Good morning elevator.

Beach patrol.

A long way down.

 

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I was recently asked by a potential hotel client if I could explain how “eszter and david” work together on shoot days, and how are our images produced. My response was to pull up a few examples of our work and take them back to their essence – before and after scenarios.

As a duo we collaborate intensively on shoots for start to finish. My general roll is that of photographer and all that that entails, with Eszter’s role a little broader, encompassing pre production, overseeing digital technicians, on set producer and ultimately retouching all our imagery. Hotel work is fast and furious, generally with lots of hurdles along the way, in most cases we are working with a partially built and sparingly furnished construction site. In order for our clients to have a marketing campaign and print ads out as a lead up to hotel opening dates we usually shoot during final stages of construction and have to be fast, nimble and accommodating to construction workers, designers, staff training, management and a host of hourly visitors all with their own agendas and looming deadlines. We will always start with a pre production walk through on arrival and begin to scope and build a library of potential shoot angles with a hand held camera trying to create a cohesive narrative that best showcases the property. This then gets edited and built into a document we present to our client to showcase our vision. From there we begin creating a shoot schedule based around accessibility, talent, weather and host of other variables.

Following I have collated a selection of initial scouting snaps, followed by the final images. What a difference a little production, lighting, talent and retouching/ post production can do.

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